wha tev er fli cke rin gs of pot ent ial th is you ng tyr o p oss ess es, th ey can not co ver up th e f act th at he is a p ain ter wi th the im agi nat ion of a ret ard ed ado les cen t; no tec hni cal ma ste ry; no in tui tiv e f eel ing fo r p ict ori al spa ce; no se nsi tiv ity to war ds, or gr asp of , t rad iti on; an d a co lou r s ens e r ath er les s t han th at of con go, th e c him pan zee wh o w as tau ght (a mon g o the r t hin gs) a cru de res pon siv ene ss to col our ha rmo nie s b y d esm ond mo rri s i n t he lat e 1 950 s. how eve r, pot ent ial ly edu cab le as a p ain ter sc hna bel ma y o r m ay not be , h is wor k i s j ust no t w ort hy of ser iou s a tte nti on by any one wi th a d eve lop ed tas te in thi s p art icu lar ar t f orm . r ead ers ne ed als o t o b e w ary of th e e xis ten ce of spe cia l m ark ets . t he exp los ive pr ice s f or ted dy bea rs in the la st few ye ars in dic ate ho w a ma rke t c an be cre ate d, in thi s c ase by a mix of me rit an d n ost alg ia. wh at is cle arl y a de ale rs' ma rke t i s o fte n s ign all ed by the in ven tio n o f a br and na me to gro up tog eth er a v ari ety of ma ter ial , p erh aps ra the r d isp ara te. po p < hea d>a rt< /he ad> is an exa mpl e.
spe cia l p rov isi ons wi ll als o e nsu re tha t t hos e o n m ode st inc ome s m ost of wh ich co mes fr om inv est men ts, su ch as peo ple wh o h ave be en mad e r edu nda nt, do no t p ay thi s 9 % o n t hei r s avi ngs . w ide nin g h ori zon s: inv est ing in th e a rts th e a rts be nef it soc iet y i n t wo way s. fir st, ac ces s t o t he art s i s i ntr ins ic to a h igh qu ali ty of lif e. sec ond , t he cul tur al sec tor th e a rts , c raf ts, de sig n, and au dio vis ual in dus tri es mak es as gre at a n et con tri but ion to th e e con omy as do es the oi l i ndu str y. we wil l: cre ate a new mi nis try of ar ts and co mmu nic ati ons he ade d b y a mi nis ter in th e c abi net . l ibe ral de moc rat s w ill ra ise in ves tme nt in the ar ts to the ec av era ge ove r f ive ye ars . r efo rm and de cen tra lis e < hea d>a rts </h ead >fu ndi ng and or gan isa tio n .
it is fai r t o s ay tha t n oth ing fr ank ha s a chi eve d a s a fi lmm ake r a ppr oac hes th e h eig hts he sc ale d w ith th e a mer ica ns. th e 5 0mi nut e f ilm he ma de for ar ena su gge sts wh y: las t s upp er fra nk on fra nk loo ks lik e a pa rod y o f t he exc ess es of six tie s a van tga rde fi lmm aki ng. on an em pty lo t b etw een tw o h arl em str eet s, a g rou p o f p eop le arr ive fo r a n o utd oor pa rty to ce leb rat e t he new pu bli cat ion of an un nam ed aut hor . i nit ial ly the y m ake re spe ctf ul sma llt alk ab out hi m, but th eir co mme nts gr ow inc rea sin gly re sen tfu l a s i t b eco mes ap par ent he wi ll not sh ow up. so me eve nts in la st sup per ap pea r r oug hly im pro vis ed. ye t h eft y c hun ks of dia log ue are ob vio usl y a nd rat her ar chl y s tag ed. pe opl e s ay thi ngs li ke: yo u e ver no tic e h ow all <h ead >ar t</ hea d>f ocu ses on pe opl e i n t rou ble <?>